- Special Commemorative Estate Edition
- Giclee on Canvas
- Measures 26x22 inches (paper size) and 20x16 inches (image size)
- Released by Annie F. Lee Art Foundation
- Ships unstretched and rolled in a tube.
"And they were all filled with the Holy Ghost, and began to speak with other tongues, as the Spirit gave them utterance." - Acts 2:4
This popular religious-themed work of art is finally available again as a special commemorative estate edition. Only 350 are available and once sold this timeless painting by the late Annie Lee will be retired forever.
Released by the Annie F. Lee Art Foundation. Each giclee on canvas ships with a certificate of authenticity that is embossed with the seal of the estate, signed by the Foundation's Executive Director, and numbered.
Depicts an African American woman in church who is filled with the spirit and has caught the Holy Ghost. Her arms are outstretched as she shows gratitude and gives all praise and glory to the Heavenly Father and the Messiah Jesus. Originally created in 1974.
Measures 26x22 inches (canvas size) and 20x16 inches (image size). Printed on high-quality canvas using archival inks to ensure longevity. Three-inch borders around the image to allow it to be stretched properly by your local framer. Ships unstretched and rolled in a thick tube.
Edition Size: 350 pieces.
|Cert. Of Authenticity||Certificate of Authenticity Provided by the Annie F. Lee Art Foundation|
|Edition||Limited Estate Edition|
|Edition Size||350 Pieces|
|Signed||Numbered with Embossed Seal of the Estate|
Annie LeeEver since taking the art world by storm during her first gallery show in 1985 at the age of 50, where her artwork sold out in just four hours, Annie Lee has been a central and celebrated figure in the world of art. Her style was labeled by art commentators as "Black Americana" due to her use of scenes of everyday African American life, the animated emotion of the personalities and two-dimensional figures. Another recognizable and trademark aspect of her is art is the fact that her subjects were often faceless.
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